I don’t know why, but I find the idea of interpreting nature musically to be very appealing. Maybe it’s because I’m attracted to nature’s beauty, but the notion of communicating that beauty musically has always intrigued me.
Not being a very patient person, I wanted to find a way to capture a musical idea very quickly and sketch out an entire piece all at once. Visual artists do something called a thumbnail sketch and I wanted to do the same thing for music.
It then occured to me that if I just sketch out the first 8-bars of the piece, and write in the first 2-bars of melody, I could capture an idea that would be remembered weeks or even years later. It’s amazing but this actually works! The secret is the melody.
If you can’t read music and want to do this just do what I do. I write down the note values (quarter notes, half notes., etc.) and write the letter name of the note beside the note value. One of the most important things I’ve discovered over the years is that the note value (it’s time length) is what really captures the idea. Just think of Beethoven’s fifth symphony for a good example. Da Da Da Duh… These notes mark the whole composition.
Edward Weiss is a pianist/composer and webmaster of Quiescence Music’s online piano lessons. He has been helping students learn how to play piano in the New Age style for over 14 years and works with students in private, in groups, and now over the internet. Stop by now at
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